Album Review: Late Registration-- Kanye West

Okay, these aren't my words, because I'm not exactly sure I'm going to purchase. I figured it was an accurate review though... since I've heard the majority of the album online...
Bragging Rights: Kanye West's 'Late Registration'
By J. Freedom du Lac
Washington Post Staff Writer
Wednesday, August 31, 2005; Page C01
Kanye West knows from vainglorious.
In the 18 months since the release of his chart-topping, Grammy-winning debut album, "The College Dropout," West has become as well known for his egotism as for his critically acclaimed music ("Jesus Walks," "All Falls Down," etc.). The 28-year-old rapper and producer is hardly diminishing that reputation with the arrival of his second album, "Late Registration."
Just consider some of his recent comments about the album's place in the pantheon.
"Music hasn't been taken this far in years -- since Stevie [Wonder] did it. Since Prince did it." (USA Today)
"I wanted to change the sound of music." (Billboard)
"I think this is the best-produced record. Ever." (Newsweek)
Hey, kids: Papa's got a brand new brag!
But for all of West's boastful talk, he backs it up pretty capably. With its blend of stunning, symphonic hip-hop/soul and engaging lyrics that veer from socially conscious to caustic to crass (sometimes in the span of a single, self-contradictory verse), "Late Registration" is audacious, ambitious, adventurous and awfully good. Borderline great, even.
But it's not quite a classic a la Wonder's "Innervisions" or Prince's "Sign 'O' the Times" -- or, for that matter, De La Soul's "3 Feet High and Rising," the 1989 hip-hop album that broke sonic and thematic ground.
For one thing, West -- a fine writer and outstanding producer who may be rap's Quincy Jones -- is not a great vocalist. His diction has improved, and so has his timing. But his flow isn't in the same league as that of Jay-Z, Nas or Common, all of whom take guest turns on "Late Registration."
The album is badly in need of an editor, too: With 21 tracks and a running time of about 75 minutes, it's bloated, from the Rolodex-length guest list and the dueling versions of the first single, "Diamonds From Sierra Leone," to the pointless and braggadocious "We Major," which drags on for more than five minutes . . . before the coda!
The album also features a senseless series of skits about being broke -- weird, given that the obsessive West spent a reported $2 million on production, missing multiple deadlines along the way. Originally scheduled for a spring release, the album should have been titled " Really Late Registration."
What the album lacks in self-discipline and cohesion, though, it makes up for with generally compelling lyrics and a complex, consistently rewarding soundtrack.
Discarding the sonic formula that made "College Dropout" such a success, West brought in an unlikely collaborator in co-producer Jon Brion, best known for his orchestral work with the artsy pop singers Aimee Mann and Fiona Apple. Brion added swelling, freshly recorded strings and other instrumental flourishes to West's drum loops and distorted samples -- and the result is arresting.
On the brooding "Crack Music," a gritty gospel sample, a marching-band beat and some brassy punctuation frame West's slow, seething screed about crack in the black community ("We invested in that, it's like we got Merrill Lynched / And we been hanging from the same tree ever since") and hip-hop's role as the new drug of choice.
"Roses" alternates between a tinkling lullaby and Patti LaBelle- and Bill Withers-fueled gospel as West laments his grandmother's decline while railing against a health care system that penalizes her for not being rich and famous. The endearing "Hey Mama" pays tribute to West's mother (a recently retired English professor) over a "la-la-la"-ing, folk-song-sampling, vibraphone-ringing backing track.
The foot-stomping, kinda misogynistic "Gold Digger" features Jamie Foxx channeling Ray Charles, as well as a raw sample of the real Genius's "I Got a Woman." "Bring Me Down," on which West and the R&B singer Brandy both sound more than a little paranoid, features a massive wall of symphonic sound that would make the equally paranoid producer Phil Spector proud. And "Addiction" is a psychedelic, Latin-tinged, Etta James-sampling reflection on West's own vices: Women, weed and money.
Alas, West -- otherwise so honest -- doesn't fess up to his adulation addiction.


 For Real-- Amel Larrieux-- I love this song simply because it is quite possibly the most beautiful love song recorded in the last 5 years.  That is, however, my own opinion...
 For Real-- Amel Larrieux-- I love this song simply because it is quite possibly the most beautiful love song recorded in the last 5 years.  That is, however, my own opinion... Since I Seen't You-- Anthony Hamilton-- I'm gonna just quote my favorite part of the song... Ever since the day you walked into my life/ I've never been the same/Then and not again/Hope and pray to God/ That you stay a while/ With me, yeah.... I mean, isn't that how you feel when you meet somebody and you are like really, REALLY into them?  I love that song...
Since I Seen't You-- Anthony Hamilton-- I'm gonna just quote my favorite part of the song... Ever since the day you walked into my life/ I've never been the same/Then and not again/Hope and pray to God/ That you stay a while/ With me, yeah.... I mean, isn't that how you feel when you meet somebody and you are like really, REALLY into them?  I love that song... Stars-- Kindred-- What can I say?  I'm on some ole romantic shit right now...
 Stars-- Kindred-- What can I say?  I'm on some ole romantic shit right now... Rush Over-- Me'Shel Ndegeocello-- I've been listening to my soundtrack lately... and this song always stood out to me... The guitar is so sexy... the vibe is sexy.. shit, the song is sexy!  "Your voice makes me wanna/ Do things I'm much too shy to say/ You leave me to question/ If you feel the same for me/The way I feel for you/ I'll rush over..."  I love it.
 Rush Over-- Me'Shel Ndegeocello-- I've been listening to my soundtrack lately... and this song always stood out to me... The guitar is so sexy... the vibe is sexy.. shit, the song is sexy!  "Your voice makes me wanna/ Do things I'm much too shy to say/ You leave me to question/ If you feel the same for me/The way I feel for you/ I'll rush over..."  I love it. Love Calls-- Kem-- Like I said before, I'm on some ole romantic shit.  If you've ever heard this song, you know what I mean...
 Love Calls-- Kem-- Like I said before, I'm on some ole romantic shit.  If you've ever heard this song, you know what I mean... So, I've been in an overly romantic and loving mood these last few days, and all thanks to a young man that I've been linked to... and believe it or not, it's not the one I wrote about in my last edition of "5 Songs"... I know, I know... I'm fickle... but that's actually not my fault. Keith has some unresolved ex-wife issues, not to mention he's got some extra females he's dealing with other than yours truly. The son of a bitch didn't even come to my birthday party. Said it "slipped his mind". Hmph, musta been otherwise "occupied". Case and point, I'm not playing second fiddle to neither the broad that left him nor the bitches he's fucking with on the side. If it's gonna be about me, then it's ALL about me. That may sound conceited or self centered as hell, but why should I play #2 if he's number #1? Not gonna happen. Been there, done that. Not about to recast that movie with a new leading man. Like I said, it's a new beginning and I'm on some new shit.
 So, I've been in an overly romantic and loving mood these last few days, and all thanks to a young man that I've been linked to... and believe it or not, it's not the one I wrote about in my last edition of "5 Songs"... I know, I know... I'm fickle... but that's actually not my fault. Keith has some unresolved ex-wife issues, not to mention he's got some extra females he's dealing with other than yours truly. The son of a bitch didn't even come to my birthday party. Said it "slipped his mind". Hmph, musta been otherwise "occupied". Case and point, I'm not playing second fiddle to neither the broad that left him nor the bitches he's fucking with on the side. If it's gonna be about me, then it's ALL about me. That may sound conceited or self centered as hell, but why should I play #2 if he's number #1? Not gonna happen. Been there, done that. Not about to recast that movie with a new leading man. Like I said, it's a new beginning and I'm on some new shit.
 1. Lose Control-- Silk-- This song reminds me of a house party all of my friends in my granmother's old neighborhood went to. For some reason, Keith and I ended up dancing to this song... and he whispered the lyrics in my ear the whole time... where his girl was at this time, I don't know... didn't matter... to me, there was no one in the room but me and him at that point in time...
1. Lose Control-- Silk-- This song reminds me of a house party all of my friends in my granmother's old neighborhood went to. For some reason, Keith and I ended up dancing to this song... and he whispered the lyrics in my ear the whole time... where his girl was at this time, I don't know... didn't matter... to me, there was no one in the room but me and him at that point in time... 2. U & I-- Jodeci-- I was really into Jodeci back in the day... and he used to always play this song for me when we'd all be chilling over his house. Nobody else would want to here that lovey dovey shit, but he'd play it for me... and to this day, everytime I hear this song, I think of him... I know, that's pretty fucking sappy, but it's the truth...
2. U & I-- Jodeci-- I was really into Jodeci back in the day... and he used to always play this song for me when we'd all be chilling over his house. Nobody else would want to here that lovey dovey shit, but he'd play it for me... and to this day, everytime I hear this song, I think of him... I know, that's pretty fucking sappy, but it's the truth... 3. Didja Know-- Groove Theory-- I say this song reminds me of him because he after I saw him 3 weeks ago for the first time in 2 years, that' exactly how I felt... "Didja know/ I would go/ Anywhere you roll/Cause with you is home/ Didja know it?"...
3. Didja Know-- Groove Theory-- I say this song reminds me of him because he after I saw him 3 weeks ago for the first time in 2 years, that' exactly how I felt... "Didja know/ I would go/ Anywhere you roll/Cause with you is home/ Didja know it?"...  4. Wanna Be Where U R-- Floetry-- "You're the one that I want/Now baby/ I want you to give me your heart/ Cause you mean everything to me I/ Wanna be where you are"... When we see each other, it's like magic.. I can't describe it really... and I never want him to leave my presence. I love to be with him... I odn't know, he just has this effect on me that... wow...
4. Wanna Be Where U R-- Floetry-- "You're the one that I want/Now baby/ I want you to give me your heart/ Cause you mean everything to me I/ Wanna be where you are"... When we see each other, it's like magic.. I can't describe it really... and I never want him to leave my presence. I love to be with him... I odn't know, he just has this effect on me that... wow... 5. Infatueighties-- Musiq-- Just reminds me of how our relationship was back in the day and what it's developing into now.. how we would flirt and smile at each other back in the day and now... sweet kisses and the look of adoration in his eyes... let me stop...
5. Infatueighties-- Musiq-- Just reminds me of how our relationship was back in the day and what it's developing into now.. how we would flirt and smile at each other back in the day and now... sweet kisses and the look of adoration in his eyes... let me stop...
